Mahmut Pasha Tomb Restoration, Istanbul

Mahmut Pasha Tomb Restoration, Istanbul

The Mahmut Pasha Tomb restoration project involved İznik Mavi Çini in the faithful reproduction of the tile mosaic surfaces on the tomb’s exterior façades. Located in Eminönü, within the Mahmut Paşa Külliyesi, the project focused on preserving the original tile layout and architectural character of the structure. The reproduced tiles were designed in forms consistent with the existing surfaces and applied in harmony with the tomb’s original fabric.

The Mahmut Pasha Tomb is situated in Eminönü as part of the Mahmut Paşa Külliyesi, a building ensemble commissioned by Mahmud Pasha, one of the grand viziers of Sultan Mehmed II. As an integral component of this complex, the tomb, dated 1474, holds architectural and historical significance. Over time, losses and deterioration were observed in the tile mosaics on its exterior façades, creating the need for a restoration intervention.

In the restoration project initiated in 2021, İznik Mavi Çini faithfully reproduced the tiles in the Seljuk tile mosaic tradition that cover the tomb’s exterior façades. A total of 3,548 tiles were produced in twenty-five different forms. Turquoise, manganese purple, and cobalt were selected as the primary colors. The production process was carried out with reference to the existing tile layout and surface composition.

The restoration aimed to preserve the original tile character of the Mahmut Pasha Tomb and maintain its historical integrity. The newly produced tiles were evaluated in direct relation to the tomb’s architectural structure, and the process was completed with a conservation-oriented approach.

“Tile work in tomb restorations carries both the symbolic and architectural identity of the space.”

— “İznik Mavi Çini, Senior Restoration Workshop Manager”

Which architectural ensemble is the Mahmut Pasha Tomb part of?
The tomb is part of the Mahmut Paşa Külliyesi located in Eminönü. The külliye was constructed as a multifunctional architectural ensemble.

What was İznik Mavi Çini’s role in this restoration project?
İznik Mavi Çini was responsible for producing the tiles used in the tomb restoration. All production followed principles of material and formal compatibility.

How many tiles and forms were produced for the restoration?
A total of 3,548 tiles were produced in twenty-five different forms. These forms were designed to align with the existing surface layout of the tomb.

Which colors were used in the restoration tiles?
Turquoise, manganese purple, and cobalt were used. The color selection was made in accordance with the original tile character of the structure.

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